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Only one thing stands in the way of whatever it is the Selenites are planning, and his name is Arnold Bedford. Cavor stands before the Grand Lunar in what may be a historic conversation between beings from different celestial bodies or what may be a trial. The sphere is being dismantled by a small army of creatures, much like a parade of ants disassembling a leftover picnic sandwich into crumbs. Kate is imprisoned in a Selenite laboratory. Where Cavor sees a barrier in communication, Bedford sees imminent danger, and his kneejerk reaction doesn't get intercelestial relations off to the best of starts. An entire civilization of insectoid Selenites exists in labyrinthine tunnels beneath the lunar surface. That's not to say they're the only ones there, though. It's initially intended to be a solo journey, but much to Cavor's chagrin.well, let's just say that the sphere can not-too-uncomfortably accommodate three.Ĭavor, Bedford, and Not-Mrs.-Bedford are, as the framing device and title suggest, the first men (and woman!) to touch down on the moon. All he needs is to perfect the Cavorite process, and he'll soon be soaring through the heavens. Maybe Cavorite boots to leap tall buildings in a single bound? Cavor has his sights set quite a bit higher than that, though: all the way to the moon! At immense cost, he's even built a metal sphere to get him there. This paste cuts through gravity like a hot knife through butter, and Bedford has hundreds of thousands of pounds worth of commercial applications dancing around in his head. Bedford eagerly agrees to sell the place to Cavor - nevermind the fact that he doesn't actually own it - for a stake in Cavor's gravity-defying Cavorite. His neighbor, Professor Cavor (Lionel Jeffries), is conducting experiments so dangerous that they could ravage Bedford's nearby cottage. Deeply in debt and trying to weasel his way out of marriage to his American fiancée (Martha Hyer), Bedford thinks he's finally stumbled onto wealth and fame. He's not what anyone would rightly call much of anything, other than a layabout, a scoundrel, or however else Victorian society would scowlingly express their disapproval. Imagine their surprise when they stumble onto a faded Union Jack and a letter claiming the moon for Queen Victoria in the year of our Lord 1899.Īrnold Bedford (Edward Judd) is not what anyone would rightly call an astronaut. These three astronauts are all too aware of what a historic event it is when their boots first collide with the lunar dust beneath them.
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Something that even twenty years earlier would've seemed like an impossible fantasy is now mere moments away. Mankind stands on the verge of its greatest achievement: breaking the shackles of our planet and setting foot on the moon.
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The world is watching with rapt attention. Wells, boasts a screenplay by Quatermass creator Nigel Kneale, and is propelled by the unparalleled imagination and stop-motion majesty of Ray Harryhausen? I'll do my duty and write a proper review, alright, but I'd suggest skipping down to the technical end of this write-up just the same. In all honesty, how much more of a review is needed than to say that First Men in the Moon is based on a story by H.G. This is a film best experienced knowing as little as possible about it.
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One of its principal joys is being in much the same boat as its intrepid adventurers.in having no idea what lurks around the next corner or towards what, precisely, the story is building. This isn't a movie that far in advance telegraphs the beats of its story or unveils another pulse-pounding action sequence like clockwork every eleven minutes. Among its many strengths is an awe-inspiring sense of discovery. I'd rather not write a review of First Men in the Moon, but in no way is that meant as a slight against the film itself.